Gallerycentric VERSION 2 coming soon

You've probably noticed the new pricing plans announced already.
These won't come into force until the new version launches around mid June 2010.
There are significant changes being made to the display pages which will become the point of entry for all Gallerycentric traffic.
This is the viewing page for all exhibitions. It will be wide screen and feature your exhibition for any clients following your exhibition link.
All other exhibitions will be accessible from a nice new sliding directory. When viewing an exhibition this and our logo will be ghosted to remove any visual distractions.
The old entry point will be dedicated to the creation of exhibitions and a few pages will be removed, like Examples. The new "Exhibition Creator" will have some additional tools depending on the Plan you pick. These new features will be announced near the launch date.

Altogether a very exciting time for us at Gallerycentric.

Visual Arts Museums of the Future: Crowdsourcing Storms the Ivory Tower

Imagine the digital future of museums. A future where we can view art and objects in an immersive 3D environment, view and create exhibitions online and share visual playlists, like we share Spotify playlists today. The 3D “Avatar” of today could be the 3D MoMA of tomorrow.

In 2007, the Jeu de Paume, a contemporary art space in Paris presented, “L’Événement: les images comme acteurs de l’histoire” (The Event – images as actors of history). Using five major events, chronologically: the Crimean war, the invention of the aircraft, the advent of paid holidays, the fall of the Berlin wall and the attacks of September 11, the show questioned how images construct our perception of events and how history takes shape in the collective consciousness.

Exhibition view from "L'Événement" at the Jeu de Paume. Photo by ViteVu

The section on 9/11 contrasted the “official” representation of the events with a more personal narrative in an installation of front pages of the world press the day after - all showing the same image - and a reconstruction of “Here is New York, a Democracy of Photographs”, a collection of photographs taken by civilians at the time of the attack and exhibited in 2002. The disconnect between the front page news and the personal photos was startling, the former illustrating the global impact of the attacks, the latter showing the immediate effects of the disaster, personal reactions and bereavements.

Three years on and new advances in technology are still changing the way events are reported and perceived, and challenging curators and museum directors to think about history in a more interactive way. The Jeu de Paume showcased collective visual manifestations of historical events with “L’Événement” in 2007. But how are collective visions going to be cemented in the twenty-tens, now everyone has a camera on their phone, a mobile internet device in their pocket and the freedom to upload and comment on everything all over the world wide web all the time? Far from making curators and editors of information redundant, the ever growing tide of user-generated content makes the curatorial role even more important.  more.....

http://thefastertimes.com/visualarts/2010/01/27/museums-of-the-future-crowdsourcing-storms-the-ivory-tower/#comment-5

Selling Your Work in New York Galleries/An Insider’s Story

I just read this very interesting article about how to go about building your career as an artist.
Worth a read

Guest blogger Rhonda Schaller is an artist, gallerist, and the Assistant Director of Career Development at New York’s School of Visual Arts. She has an amazing wealth of knowledge, and offers in-depth steps to sell your artwork through galleries or as a self-produced artist. Bookmark it, print it out, study and learn how to advance your art career!

http://www.artsyshark.com/category/articles/